Dead By Daylight crossplay live for consoles and PC

Some excellent news for Survivors and Killers alike – developer Behaviour Interactive have finally flipped the switch on cross-play for Dead By Daylight.

As the name suggests, this eagerly awaited feature for the popular horror title will allow users to play together regardless of whether they're gaming on PlayStation 4, Xbox One, PC, or Nintendo Switch. The mobile version of DBD will not be added to the mix though Dead By Daylight Stadia players will soon join the party.

This follows recent changes made to how ranks and matchmaking work via a new update.

In addition, Dead By Daylight will also have cross-friends functionality too, allowing you to connect with those you encounter on other platforms to later party up and play matches.

In order to add friends, you'll need to pop open the social menu and punch in their Dead By Daylight ID. Here's Behaviour's official breakdown of how the new cross-play and cross-friends systems will work in-game:

Which platforms are included in cross-play?

You will be able to play between Steam, Microsoft Store, Xbox One, Playstation 4 and Nintendo Switch. The Dead by Daylight Mobile game is not included in cross-play. Stadia will also join other platforms at launch

Since cross-play is happening, is mouse and keyboard support going to be added in?

There's no current plan at the moment.

Now that cross-play and cross-friends are available, how about cross-progression?

We will communicate more information about cross-progression when we are closer to the feature release.

If other platforms have content I cannot access on my platform, what will happen when I play with these players?

You will play against these players as you would any other, you will see the content as they play it. The only restriction is that you will not be able to access the content if it isn't available on your platform.

What happens if one platform gets an update late?

To be able to cross-play together, platforms needs to be on the same version of the game. If one platform gets the update late, they will match together (not cross-play) until they are on the same version as the others.

Can I chat with other platform's players

The in-game chat will not be available or visible to console players. Players on PC (Steam and Windows Store) will still have access to pre-game and post-game chat.

How can I communicate with my friends on other platforms?

Whereas we have no means to communicate inside the game, you can join our amazing Discord community here https://discord.gg/PpF8Ae to join more than 140K Dead by Daylight players and join play sessions.

How to deactivate cross-play?

Go in Settings / Disable Cross-Platform play

What happens if a player deactivates cross-play?

The player will play only with players from their platform. The matchmaking time might be longer as there will be less players to match with.

If I report a player from another platform what happens?

This will function the same way as it was before. A report will be sent and investigated by our team.

If a player has a bad username what can i do?

If a player is using a bad username, you can use the in-game report and report the player. Furthermore, if they are on your own platform, you can report them to your platform provider.

How do I know the other players platforms?

Players that play on a different platform will have a logo identifying they are connecting from the cross-play feature but it will not specify which platform they are from.

Source: Dead By Daylight

Sentinels of Freedom Review

With Superheroes dominating mainstream media, it's no surprise gaming also see's it's fair share of spandex wearing crusaders, right in the palm of your hands, ready to take on the villains. These days, it's all about that realistic gritty take on the comics you love, so seeing Sentinels of Freedom's vintage comic style feels like a welcome change.

Sentinels of Freedom is based off the hit card game Sentinels of the Multiverse and Sentinel Comics: The Roleplaying Game, which sees you creating your very own hero to team up with popular characters like Bunker and Unity. This in itself is a very cool idea. A lot of superhero games rarely give you the chance to create something from scratch, so naturally, I spent a fair chunk of time creating my paragon of justice!

You start off by choosing your theme, each of which gives you a subset of abilities you can use. For my creation I chose Power Melee, Mobile Melee and Tank, which meant I was able to perform all kinds of bone-shattering hand-to-hand combat moves and also aggro enemies on the field to draw them away from my teammates. There were other options like being able to shoot guns and having laser blast powers, to name a few. Strangely, some of the other superhero staples like Super Speed were missing. I can only assume they were unselectable because one of your main team members also has this power.

All of this is modified further by other character details like background, personality and power source, which give pluses and minuses to various stats. Of course, it's all about designing that hero look and there's a fair bit on offer. I opted for a sleek black/purple number that was basically futuristic techno armour. I felt pretty heroic as I chose my name: Rainmaker.

Once past the initial training section, you're introduced to the hub Plaza where you can customise your characters by changing equipped skills, training them so they learn new abilities and of course, choose your next mission.

Taking all of this into turn-based battles, you're handed a set number of Action Points per round to move and fight with. It feels a lot like a tabletop miniatures game, and planning out your turns is key to not leave yourself exposed to getting thwaked from behind. Only one ability set can be activated at a time, so if I start a turn in my Power Melee stance, I can only perform actions from that move set. You can switch, but that also costs you AP.

Once you end a character's turn, it does give the option for a free stance switch and choice of direction to face them. This is very handy for Bunker because one of his modes sees him turn into a gun turret – a little like Bastion from Overwatch – with a passive ability that puts him on overwatch to start blasting at anyone who walks into his field of vision. I found this ability to be particularly overpowered as he ended up clearing most of the enemy forces on his own!

Each attacking ability has a damage type. For instance, Tachyon's Sonic Strike is a Thwok damage type. It's a close range attack that gets a chance to be buffed if you have allies nearby. Being based off of a tabletop roleplay system, there's a lot of background numbers that go into determining whether or not you will land a blow or miss, with odds that can be increased by strategically placing yourself in the right position and using the right abilities for the correct bad guys. A Focus mechanic encourages you to get stuck in, where a missed attack leads to your hero becoming more focused and adds +1 to their next hit roll.

Damage types in this game have very comic panel inspired names which come across as confusing more than being helpful. Thwok is strong against Deflect but weak against Block, while Zaakt is strong against Evade defences but weak against Deflect. There are five damage types in total but I can help thinking it would have been easier to give them names like Melee, Ranged etc. Something simpler to learn. The one saving grace is that if you go to use an attack, when you hover the cursor over the enemies head, it tells you if your Ping! will beat your opponent's Soak.

Next to the standard abilities, you have Vigilance abilities which happens automatically when enemies perform certain actions. If a Vigilance ability is available, a circle will appear around your hero, showing the front, side and backs zones where potential dangers can come from. It's why facing the right direction is so important. Your chance to hit increases when attacking an enemy from the side and even more so when attacking from the back.

Another thing that surprised me was the sheer number of bad guys the game actually throws at you. You are always outnumbered, though heroes are meant to take on scores of villains and feel pretty strong. Once again, Bunker was on hand to mow down the horde of robbers intent on causing chaos and he did this with ease. The main problem I found with this was that missions were long enough for me to lose interest. With only three heroes, you take your turn and then wait a minute or two for a dozen baddies to take theirs. To my horror, I cleared over 70 enemies in one mission which was insane. 70 goons to rob a bank? They could have robbed the whole city!

The fun is always in the strategy, but I found missions getting a little trite after a while and overall giving it a mind-numbing repetitive feeling. That's not to say that every mission was the same, it just all blurred into one.

I like the comic book style of the game, which is derived from the card game, but the production values aren't quite there, leaving the game feeling overly simplistic and dated. It would be great to have more detail to the character designs and environments as a whole. Playing on Switch, everything was really small and hard to read. It wasn't much better on the TV with a lot of the writing being very small and tricky to read.

NBA 2K21 demo drops on 24th August for PS4, Xbox One & Switch

Alongside a blog that dives into the changes coming in NBA 2K21, 2K Games revealed that a demo will be dropping on 24th August for PlayStation 4, Xbox One and Nintendo Switch.

There's you're typical array of tweaks and modifications to the core gameplay, with an overhaul to the Pro Stick for new dribbling mechanics to come in, the shot meter has changed from a timing bar to a targeting system, there's new shot types and signature defensive motion styles, and you'll be able to make "oversized" point guards up to 6'8″, in honour of cover star Damian Lillard.

There's plenty more to be talked about, with details of MyTEAM, MyCAREER and other current gen changes set to be detailed in the run up to release.

NBA 2K21 will be available for PS4 and Xbox One on September 4th, with the next-gen version to be available when the PS5 and Xbox Series X release.

If you were hoping that there would be some kind of free upgrade path through something like Xbox's Smart Delivery, where there is no extra charge for upgrading to the next gen then that hope is dashed. While Cyberpunk 2077 or with EA's Madden 21 will have a free upgrade, NBA 2K21 will not. 2K is charging for the upgrade through the Mamba Forever edition of NBA 2K21 which will cost £84.99, and that will grant access to current-gen and next-gen versions of the game. While there is a cost to access both versions all progression will be shared across platform families, so you will not need to start again should start NBA 2K21 on PS4/Xbox One and then migrate to PS5/Xbox Series X.

The cover stars will be Damian Lillard for the PS4 and Xbox One versions, while Zion Williamson will be the cover star for the PS5 and Xbox Series X. The Mamba Forever will have Kobe Bryant who passed away in a helicopter crash earlier this year along with his daughter and seven others.

Source: press release, NBA 2K21

Crysis Remastered PS4 trophy list revealed

Almost thirteen years after the game's original release, Crysis is gearing up for its big return to current-gen consoles. Having launched on Nintendo Switch last month, Crysis Remastered will also be coming to both PlayStation 4 and Xbox One though Crytek have yet to nail an exact release date.

However, with the PlayStation 4 trophy list having just surfaced, its release on Sony's platform could very well be imminent.

Crysis Remastered features a fully stacked spread of accolades with 41 trophies up for grabs. It looks to be a fun trophy list, encouraging players to experiment with the game's arsenal of weapons and Nanosuit abilities. If you're serious about get that platinum trophy you'll have to kill a fair few enemies, complete all 6 secondary objectives, and finish the game (or at least a handful of selection missions) on Delta difficulty.

Platinum Trophy Earn all available trophies for Crysis Platinum
A Little Trouble Parking Discover the fate of the Lusca's Call Bronze
Easy Darlin' Rescue the hostage Bronze
You Knew, Didn't You? Regroup with Prophet upriver Bronze
Very Strange Readings Infiltrate the excavation site Bronze
Livin' Up To Your Name Board the VTOL for extraction Bronze
Pro-Aircraft Destroy all AA guns around the harbor Bronze
Enjoy The Fireworks Destroy the cruiser Bronze
Empty Platform Secure the train station Bronze
You're On Your Own Proceed to the mining complex Bronze
One Careful Owner Reach the end of 'Onslaught' in the tank you started with Bronze
Going Underground Enter the mines Bronze
It's On Like General Kyong Defeat General Kyong Bronze
I'm Coming Home Escape the mysterious structure under the mountain Bronze
Expedition Team Escort Prophet to safety Bronze
I'm A Marine, Son! Help the marines evacuate Bronze
Strickland Would Be Proud Defeat the flight deck invader Bronze
Close Encounter Secure victory in the Battle of Lingshan Bronze
Delta: Act I Complete 'Contact', 'Recovery' and 'Relic' on Delta difficulty Silver
Delta: Act II Complete 'Assault', 'Onslaught' and 'Awakening' on Delta difficulty Silver
Delta: Act III Complete 'Core', 'Paradise Lost', 'Exodus' and 'Reckoning' on Delta difficulty Silver
Crysis Controlled Complete the game on any difficulty Gold
Cool In A Crysis Complete the game on Hard or Delta difficulty Gold
Following Orders Complete 3 Secondary Objectives Bronze
Without Question Complete 6 Secondary Objectives Silver
Perfect, Soldier! Complete all Secondary Objectives Gold
No Fly Zone Destroy 5 helicopters Silver
Tank Buster Destroy 5 enemy tanks Bronze
This Is My Rifle Customize a weapon to use all 5 modification points Bronze
Special Forces Kill 200 enemies Bronze
Team Raptor Kill 400 enemies Silver
Long Distance Relationship Kill an enemy 200m away Bronze
Weapons Master Perform a kill with every firearm Silver
Something For Every Occasion Use all weapon attachments Bronze
Choke Hold Kill 20 enemies with grab Silver
Marathon Man Speed sprint 3km Silver
Nano Ninja Perform 5 consecutive kills without being spotted by an enemy Bronze
Knock-off Knockout Kill an enemy Nanosuit soldier with a Strength punch Bronze
Zoology Pick up an animal Bronze
Keen Observer Tag 30 enemies using the binoculars Silver
Catch This! Kill 10 enemies by throwing an object at them Bronze

Source: TrueTrophies

Fortnite also removed from Google Play Store after introducing direct payments – Epic sues Google

Hot on the heels of Fortnite's removal from the iOS App Store, Google has now removed Fortnite from the Google Play Store for introducing a direct payment method that bypasses and undercuts Google's standard payment process.

In a statement picked up by The Verge, Google said:

The open Android ecosystem lets developers distribute apps through multiple app stores. For game developers who choose to use the Play Store, we have consistent policies that are fair to developers and keep the store safe for users. While Fortnite remains available on Android, we can no longer make it available on Play because it violates our policies. However, we welcome the opportunity to continue our discussions with Epic and bring Fortnite back to Google Play.

Not playing favourites, Epic have also sued Google and twisted their own history against them, writing in the suit:

In 1998, Google was founded as an exciting young company with a unique motto: 'Don't Be Evil. Twenty-two years later, Google has relegated its motto to nearly an afterthought, and is using its size to do evil upon competitors, innovators, customers, and users in a slew of markets it has grown to monopolize.

Epic Games are tilting at the windmills of the iOS App Store and Google Play Store, with a carefully staged publicity stunt within their hyper popular battle royale game Fortnite that's allowed them to highlight and legally protest the fees that both stores charge for processing purchases.

As with Apple, Google have determined that games must use their system for in-app purchases. The guidelines clearly state, "Developers offering products within a game downloaded on Google Play or providing access to game content must use Google Play In-app Billing as the method of payment."

Both iOS and Google charge 30% for all purchases and transactions made through the store, with preferential treatment and exceptions made in certain circumstances. The direct payment option that Epic introduced say them pushing a 20% reduction to end users, with Epic now theoretically coming out 10% ahead, though the company now has to handle the associated credit card fees, currency conversions, and so on.

Epic and Google have quite publically not seen eye-to-eye over this in the past, with Epic deciding to pull Fortnite from the Google Play Store in August 2018 and start to distribute the app themselves, which is possible through being able to side-load apps from third-party sources on Android. However, Epic decided to return to the Play Store in April, issuing a statement that was already quite huffy.

Google puts software downloadable outside of Google Play at a disadvantage, through technical and business measures such as scary, repetitive security pop-ups for downloaded and updated software, restrictive manufacturer and carrier agreements and dealings, Google public relations characterizing third party software sources as malware, and new efforts such as Google Play Protect to outright block software obtained outside the Google Play store.

Another key player in all of this is Microsoft, who will offer game streaming to Android with Game Pass Ultimate this September. While the app will be available on Google Play, you will not be able to purchase DLC via the app because Google will want to take a 30% cut. Obviously that's a fair bit better than not having an app at all, as on iOS (which Microsoft are not happy about), but you will be able to make DLC purchases via the app if installed from the Samsung Galaxy Store… who obviously have a competitive vested interest in playing nicely with big names to try and shave off some market share from Google.

It's all a tricky situation, with various legislative bodies investigating Google, Apple and others for anti-competitive practices, but Epic have really just thrown a cat among the pigeons, hoping to harness the rage of gamers to attack and pressurise their erstwhile opponents.

Source: The Verge

Being a nosy X-raying ghost in I Am Dead

As far as game titles go, I Am Dead is one of the most stark and on-the-nose, and also perfectly describes your protagonist Morris Lupton, a museum curator dealing with the fact that he is deceased.

Death and mortality have been recurring themes for indie publisher Annapurna Interactive, most notably their debut release What Remains of Edith Finch as well as last year's Outer Wilds that had you trapped in a time loop just before a supernova engulfs the solar system. I Am Dead is a little different, not so interested in morbidity – you never even learn how Morris or indeed anyone else died – rather a whimsical story that places you in the colourful island town of Shelmerston, waiting for you to explore its peculiarities.

The way you go about exploring is the fascinating aspect, as developers Hollow Ponds demonstrated to me during our preview session. As a ghost, Morris is able to zoom in on objects, slicing through them, even drilling down and uncovering objects within objects. While it was hard to discern how this works without holding the controller myself, interacting with objects is done just by squeezing the triggers while the stick lets you rotate the angle of the object, which is meant to be very playful and intuitive.

For instance, in the opening section in a lighthouse, we go to one of its many floors, a kitchen, and the spectral cursor hovers over the fridge, which you can then zoom in and find different foods like a cheese wheel or tomatoes. These in turn can also be sliced through, exposing more of their interior textures, the way you can sort of slide in and out almost like a kind of X-ray vision – the developers specifically liken it to an MRI scan.

In another amusing touch, we come across a couch and your scanner vision reveals there's coins beneath it as well as a remote that got stuck down the side, though you can drill even further down to see the batteries on one end or slide over and see the circuitry on the other. It's really quite wondrous just how detailed the game is despite appearing seemingly simple in its Richard Hogg-designed Mr Men aesthetics.

Of course, not every single object in the game can be interacted with like this, but you're also not just randomly rummaging across everything in sight since interactive objects have a white outline. You also have some direction as there's kind of a point to all this. See, it's not just Morris who's dead, he can also see other ghosts of people who once lived in Shelmerston. The goal is to meet up with them as they may just be able to help you solve a mystery that can save your home from the island's once dormant volcano that's beginning to wake up.

To find these ghosts, you first need to find mementoes; hidden objects that belonged to them or had some kind of significance to them. One way of finding out just what these mementoes are is by interrogating their loved ones who are still living. By interrogating, I don't mean talking, since you're dead, but you can actually scan a person's brain and uncover a memory. These are like narrated cutscenes, albeit still playfully interactive ones, as you can shift in bizarre ways revealing a certain object you'll want to then find.

Later in the session, we jump to another location, Shelmerston's seaside shopping front bustling with people, including some not-so-human folk. This includes a race of aquatic fish-folk, a world away from the ones conjured up by H.P. Lovecraft, who have recently been coming to the island as they've discovered an insatiable appetite for dry food like toast and crisps and needed to start making some money in order to buy it.

Then you've also got these anthropomorphised birds who used to visit the island as part of their annual migration but have now evolved to the point where they come as tourists. Instead of flying they now come by boat since they have to carry heavy luggage with them like camera equipment. As you do. I enjoyed how the developers explained this to me all very matter-of-factly, and while the cartoony visuals probably does make it easier to imagine humans coexisting with fish and bird people without batting an eyelid, it just adds to the game's wholesome charm.

The nature of being a hidden object game however means you also get to uncover secrets bubbling beneath the surface, such as a boat being displayed on the port that, when you slice into it, turns out to be housing an illegal whisky brewing operation. There's all kinds of strange and fascinating little stories to uncover in the world of the living as well as for those who have departed.

There's a linear kind of progression to the game, even in the way you float through each of these diorama-like surroundings which feels like a cross between a point-and-click adventure and being on a ghostly rail. Morris is in a peculiar situation, still grappling with his non-existence as it were, while often speaking as if he was still alive. I'm not sure how his dog Sparky also came to be dead but the good news is in this state you can talk to her and she acts as your guide, loyal even in death.

While on the surface I Am Dead is a kind of first-person puzzle adventure we're all quite familiar with, it's executed in such a playful and wonderfully weird way that can only come from the minds behind Hohokum and Wilmot's Warehouse. It's arriving in September on PC and Switch, so we don't have long to wait to slice through more of Shelmerston.

Fortnite pulled from iOS App Store over direct payment option – Epic sues Apple [Update]

Several companies have been challenging Apple on their iOS App Store policies in recent weeks, as the company faces increased scrutiny from regulators over its business practices.

The latest company to do so has been Epic Games, the maker of the hugely popular Fortnite, who today introduced a new way to pay for in-game currency that bypassed Apple's systems. Seemingly in reaction to this, Fortnite can no longer be found on the iOS App Store – it obviously remains playable for the millions of existing owners, but can no longer be downloaded by new users and will no longer be able to receive updates.

Update: Apple released the following statement to The Verge:

Today, Epic Games took the unfortunate step of violating the App Store guidelines that are applied equally to every developer and designed to keep the store safe for our users. As a result their Fortnite app has been removed from the store. Epic enabled a feature in its app which was not reviewed or approved by Apple, and they did so with the express intent of violating the App Store guidelines regarding in-app payments that apply to every developer who sells digital goods or services.

Epic has had apps on the App Store for a decade, and have benefited from the App Store ecosystem – including its tools, testing, and distribution that Apple provides to all developers. Epic agreed to the App Store terms and guidelines freely and we're glad they've built such a successful business on the App Store. The fact that their business interests now lead them to push for a special arrangement does not change the fact that these guidelines create a level playing field for all developers and make the store safe for all users. We will make every effort to work with Epic to resolve these violations so they can return Fortnite to the App Store.

And Epic Games have immediately filed suit in response, while rallying their millions of players with a pastiche of Apple's 1984 advertising campaign.

The original story continues.

Earlier today, Epic Games announced that they would be permanently discounting V-Bucks microtransactions on all platforms by 20%. On PlayStation 4, Xbox One and Nintendo Switch, nothing would change with the manner in which you pay, and nor would there be a difference to users who downloaded the game via epicgames.com or the Samsung Galaxy Store. However, for those who downloaded the game from the iOS and the Google Play Store, the company added a new "Epic direct payment" option alongside the traditional payment method, showing a 20% price disparity in the process.

That's a direct attack on both app stores, who charge 30% for all purchases and transactions made through the store, with preferential treatment and exceptions made in certain circumstances. In making a 20% reduction, Epic theoretically now come out 10% ahead, though the company now has to handle the associated credit card fees, currency conversions, and so on.

While Google has yet to respond – the game's availability directly from Epic was already a workaround the company made – but Apple have seemingly pulled the app within a matter of hours, as it now contravenes a number of their app store policies.

Apple have come in for strong criticism over the last few months, with a war of words with Microsoft over the exclusion of their xCloud streaming app. Xbox Game Pass Ultimate subscribers will only be able to access game streaming via Android smartphones when the service launches in September.

Sources: Epic Games, Gamespot

FIFA 21 career mode revealed in latest trailer

EA have revealed a bunch of new features coming to FIFA 21's career mode in the latest trailer for the game. With more flexibility with match simming, improved training, new transfer options and more, it's looking like a decent update on one of the series' main game modes.

The Interactive Match Sim allows you to simulate a match in the career, but keep an eye on how things are progressing from a simplistic mini-map. At any time, you can hop in and have the game load up the full 3D engine and start playing, letting you pull off a late game comeback if the sim wasn't going quite as you'd planned.

As a manager, you'll have more hands on opportunities to shape the players your in charge of. New position training lets you switch a player's specialty position to another, while development plans can let you focus a squad's growth to match an overall style of play. There's also tweaks for transfers, with Loan to Buy offers and AI managers able to propose player swaps to you.

Getting ready for an individual match, you'll get to see your squad's performance levels with the new 'match sharpness' attribute. That can be trained up in a new Active Training System, and can help strikers score goals or defenders make those clutch tackles that require them to be at their best.

Meanwhile, you'll hopefully notice the enhanced opposition AI, geared up to be a bit more intelligent in both defence and attack.

It definitely feels like EA are cribbing from Football Manager's homework for FIFA 21, but that can only be a good thing for diehard FIFA fans, considering the depth and simulation on offer in Sports Interactives' series.

FIFA 21 will be out for PS4, Xbox One, and PC on October 9th, with free upgrades to PlayStation 5 and Xbox Series X via EA's homegrown Dual Entitlement scheme. This will allow free upgrades to take place from the launch of the next-gen consoles up until the release of FIFA 22 next year.

Source: EA

Pretending I'm a Superman – The Tony Hawk's Pro Skater Documentary Review

The late 90s and early 2000s were the golden era for Skateboarding. Rising popularity in the mainstream, meant skaters were quickly becoming household names and the sport was gaining more credibility. One of those names that still retains its star power over 25 years later is that of Tony Hawk, the man who landed the 900 at the 1999 X-Games and in turn cemented his place in the annals of history.

Four months after that historic event, Tony Hawk's Pro Skater released on the PlayStation and was met with critical acclaim, forever changing the landscape of Skateboarding as a sport and creating a new genre of games. Pretending I'm a Superman follows the story of the Pro Skater series, charting it's meteoric rise and the fall from grace in it's later years, all told from the perspective of those right in the middle of it all.

Pretending I'm a Superman starts with the man at it's heart, Tony Hawk, landing the pivotal 900 at the age of 48. Right from the start, you can tell this documentary is a love letter to not only Tony Hawk's Pro Skater, but also the man himself and the wider skateboarding community. The documentary takes viewers back to the 80s and a time when skateboarding was limited to smaller groups and rarely in the mainstream spotlight, losing the momentum it had garnered during the 70s.

The likes of Rodney Mullen, Steve Caballero, Jamie Thomas, Cara-Beth Burnside and other professional skateboarders talk us through the scene at the time, the trials, the tribulations and the way in which it changed as everyone moved towards the 90s. The history of skateboarding is one that has been extensively documented, but it's a great way to set up the rise of the THPS series so we can see later how much it helped change things.

Pretending I'm a Superman also charts the rise of street skateboarding and skate films, two things that had a huge impact on the look and feel of the THPS series. Hearing from a number of professional skateboarders about how they adapted to the change in the industry is a meaningful insight that sets the scene for what the next decade brought with it.

The culture and history of skateboarding is important and with the sport having faced so many challenges from the establishment, authorities and society at large, it's great to see so much credence paid to it in Pretending I'm a Superman. It gives you a far better appreciation for where the industry is today and what it has gone through to get here.

This documentary clearly respects it's core subject, interjecting footage with famous skate videos and recognisable songs. It treats skateboarding with the reverence it deserves, giving the microphone to those who helped build its legacy, empowering them to be open and honest about the sport.

With the scene set and almost fifteen year's of Skateboarding history condensed into fifteen or so minutes – that's a minute per year – it shifts its sights and introduces the birth of Tony Hawk's Pro Skater.

Riding a wave of popularity off the back of the X-Games, Tony Hawk was approached by a number of developers and publishers looking to create a skateboarding game. Fortunately, one of those interested parties was Activision, which resulted in Tony Hawk's Pro Skater. Pretending I'm a Superman gives Tony and a number of key developers the spotlight to talk viewers through its initial inception and the way in which it was built.

As someone who spent their childhood and teen years playing the Pro Skater games, it's great to see all the nuts and bolts that went into creating the series. From the way the developers leant on Tony for knowledge of the sport, to how his 900 special move was brought into the game at the last minute after he landed it for the first time at the X-Games. Pretending I'm aSuperman is filled with these fantastic little nuggets of information, which I think fans of the series will absolutely love.

The documentary also features a few snippets of Larry Lolende of Primus and John Feldmann of Goldfinger, both discussing how they got involved with THPS and the effect it had on their respective bands. The soundtracks across the THPS series helped shape mine and I imagine many others' tastes in music, so it's great to see Pretending I'm a Superman make some time for another important aspect of the series' history.

It really drives home the theme of change and growth, showing the ways in which the THPS series altered the path of skateboarding. While it could be argued that another game or series likely would have appeared in its place if it hadn't been developed, it's still lovely to see the new generation of skateboarders who were directly inspired by the series. It's in these moments that Pretending I'm a Superman shines the brightest, showing skateboarding and THPS for what they were, a global phenomenon that changes the lives of millions of people.

It's also interesting to see the director touch on the downfall of the series, pinpointing the point at which sales declined following the release of Project 8 and the introduction of major competitors in the genre. While it would have been nice to explore this period a little more, we still got to see Tony discuss the infamous RIDE peripheral and the workings behind it. Even with the series' later failings, you can see how much it would continue to inspire and encourage people to pick up the sport with numerous professional skateboarders stating they joined the sport due to the series.

One are the documentary fails to address is the series' return and the opportunity to take an inside look at the upcoming THPS 1 + 2 remake. This is a documentary that focuses on the effect the series had on skateboarding and pop-culture, so to see what could well be a redemption story in the form of this reboot would have been a fantastic way to end the documentary.

Dauntless patch 1.34 fixes bugs with new game improvements

There's a new update available for monster-hunting multiplayer title Dauntless, ready for Slayers to download and install.

Dauntless patch 1.34 makes a number of minor improvements to the popular cross-play RPG while ironing out some bug with a fresh wave of fixes.

This follows last week's 1.33 update which kicked off the latest Hunt Pass, loaded with 50 tiers of free and elite rewards. It also saw a complete redesign of Ramsgate, the Dauntless hub world/social space.

We recently decided to return to Dauntless for our 2020 review, scoring it an impressive 8/10 for its slightly more accessible approach to the action RPG side genre. You can catch the latest patch notes below.

Dauntless update 1.34 patch notes

Camera Improvements

  • Camera distance is now configurable.
  • Camera view is now more consistent.
  • Vertical FOV is now static, making the horizontal FOV auto-adjust when changing the screen aspect ratio. A wider screen now just means being able to see more on either side of you.
  • Reduced the amount the FOV can be changed to 75-85°, down from 35-120°, preventing fisheye.
  • Camera distance and FOV sliders are now available on consoles.

Ramsgate

  • You can now interact with the portal driver to view the new Ramsgate cutscene.

Behemoths

  • Reduced the knockback on Lesser Behemoth attacks.
  • Reduced the amount of damage it takes to stagger Lesser Behemoths.

Miscellaneous

  • Reduced the knockback on Lesser Behemoth attacks.
  • Reduced the amount of damage it takes to stagger Lesser Behemoths.

Sword

  • Fixed a bug that prevented The Hunger from generating Special meter while in Overdrive.
  • Fixed a rare crash that could occur when using the sword.

Repeaters

  • Full-Bore Chamber's projectiles no longer deal damage continuously after hitting the ground or a Behemoth.
  • Fixed a bug that could cause a crash when using the Full-Bore or Salvo chamber.

Hammer

  • Fixed a bug that prevented buffering of inputs during the uppercut combo.

Miscellaneous

  • It's now easier to navigate the cell list with a controller.
  • Removed the crouching animations when interacting with weapons in the Training Grounds or with vistas.
  • Reduced the range at which you can activate the ram-headbutting animation.
  • Introduced multiple improvements to localized text to prevent it from overlapping or escaping its UI elements.
  • Removed tooltips from the character creator.

Bug Fixes

Gameplay

  • Activating Torrent Shield on a player who already has a shield now correctly applies the shield.
  • Fixed a bug where Hunt Pass bonus loot wasn't being distributed at the end of a hunt.
  • Fixed a spot where it was possible to get stuck on the cave island.
  • Fixed a bug that could cause aether vents to appear interactable despite being depleted.
  • Fixed a bug that caused other players to render poorly at long distance while using emotes.

Cosmetics

  • Fixed a bug where crowns might not be shown after changing instances.
  • Fixed a bug that could sometimes cause beards to be the wrong colour.
  • The music for the "Dance Crazed" emote no longer continues playing after the emote ends.
  • The paneled lantern skin's textures are no longer brighter than intended.
  • Fixed a bug that could cause your head to vibrate.

UI

  • Fixed a bug that prevented quest and bounty progress from displaying at the end of a hunt.
  • Fixed a bug where blocking someone didn't remove party invites from them.
  • Fixed a bug where the background highlight didn't follow the mouse cursor when navigating the Journal.
  • Fixed a bug that let you select weapons from the armour selection screen.
  • Fixed a bug where purchasing a flare or banner fabric from the Personality menu didn't clear the lock icon.
  • Fixed a bug where going to the next Journal entry might not correctly reset your scroll bar.
  • Main menu tabs no longer remain highlighted when using a keyboard to navigate.
  • Fixed a bug that caused loadout options to remain highlighted after changing screens.
  • The Vault tutorial slate no longer shows when you complete the Hunt Pass intro quest.
  • Fixed a bug that could cause the background of the main menu to disappear when rapidly changing screens.
  • Fixed a bug where Thrax weapon mastery icons were displayed as Torgadoro weapons.
  • Fixed a bug that could cause the Berzerker Vision glowing eyes to appear in the background of the main menu.
  • Fixed the alignment of various UI elements and icons.

Miscellaneous

  • Improved armour clipping on Trainer Rosk at the Training Grounds.
  • Xelya's necklace no longer breaks as she moves.
  • Improved Xelya's armour when viewed from a distance.

Dauntless guides & more from TheSixthAxis

The Last of Us Part 2 update 1.05 live with Grounded DLC

Revealed earlier this week, Naughty Dog are expanding The Last of Us: Part II with Grounded mode and other features as part of update 1.05.

The 573MB patch will being going live later today and crams in a spread of new gameplay options to mess about with, as well as filter-like render modes, and the aforementioned Grounded DLC.

For those seeking the ultimate challenge, Grounded strips away a number of key mechanics from The Last of Us: Part II. These include the x-ray listen mode, as well as HUD elements (ammo/health count) and stealth indicators.

There's also a Permadeath mode being thrown into the mix. It does exactly what it says on the tin, booting players back to the main menu if they die even once. They will receive a summary showing just how far they managed to get. With The Last of Us: Part II clocking in at 20+ hours (even when blitzing through huge swathes) the trophy earned for beating the game in Permadeath will definitely stand out among the collection of series uber-fans.

As we await the official patch notes, here's a summary of what to expect from update 1.05:

Difficulty modes 
  • Grounded Difficulty
  • Permadeath Mode
Trophies 
  • New update introduces two new Trophies: one for completing the game with Permadeath enabled and another for beating it on Grounded difficulty. Neither of these will be required in order to earn the Platinum. 
New Graphics, Audio, and Gameplay Modifiers
    • Mirror World
    • Mirror on Death
    • Slow Motion
    • Bullet Speed Mode
    • Infinite Ammo
    • Infinite Crafting
    • Infinite Melee Durability
    • Infinite Listen Mode Durability
    • Infinite Listen Mode Range
    • One Shot
    • Touch of Death
    • 8-bit Audio
    • 4-bit Audio
    • Helium Audio
    • Xenon Audio
New Options and Improvements
  • Film Grain Adjustment Option
  • Disable Listen Mode Option
  • Motion Sensor Function Aiming Option
  • Arc Throw HUD Display Option
  • Aiming Acceleration Scale Option
  • Aiming Ramp Power Scale Option
  • Accessibility Improvements to Ground Zero encounter and rope gameplay
  • Additional accessibility improvements

For Honor update 2.21 makes core combat changes

Ubisoft have been toiling in the forges at yet another For Honor update you will need to download and install in order to access their flagship fighting game.

Patch 2.21 is now available on PlayStation 4, Xbox One, and PC, and is a follow-up to last week's 2.20 update in which a new playable hero, The Warmonger, was introduced.

This For Honor patch also introduced the eagerly anticipated core combat design update. In a nutshell, Ubisoft have been busy working on changes to make battles more offence focused and thereby more dynamic and fun.

However, their work isn't done. Ubisoft will be working with the For Honor community to make further improvements while ironing out any issues surrounding the combat update. 2.21 outlines a first wave of changes, as noted below.

For Honor update 2.21 patch notes

KNOWN ISSUES

  • Peacekeeper's 2nd Light is now dodgeable when getting hit by the initial Light attack
  • Orochi's Top Heavy Finisher Feint to Guard Break now works against rollers
  • Highlander's Offensive form enhanced Light attacks have been adjusted to cost 12 stamina
  • Highlander's Light Light combo is now dodgeable on Block and on Hit when in Revenge or if the opponent is Out Of Stamina

STAMINA AND DAMAGE ADJUSTMENTS

  • Stamina cost reduction on combo moves, down from 12 to 6:
    • Shaolin's light combo
    • Peacekeeper's Deep Gouge
    • Warden's light combo
    • Lawbringer's light combo after heavy finisher
    • Orochi's top light combo
    • Shinobi's light combo
    • Shaman's light combo
  • Damage reduction on a variety of attacks:
    • Jiang Jun's heavy finishers: from 38 to 35
    • Warden's top heavy finisher: from 44 to 37
    • Centurion's heavy openers max charge: from 33 to 30
    • Centurions' heavy finishers min charge: from 29 to 28
    • Centurions' heavy finishers max charge: from 40 to 30
    • Black Prior's full block stance unblockable heavy: from 35 to 30
    • Lawbringer's unblockable heavy finisher: from 40 to 36
    • Lawbringer's light combo after heavy finisher: from 6 to 3
    • Kensei's heavy chains: from 34 to 30
    • Kensei's top heavy finisher: from 44 to 38
    • Shinobi's ranged heavy: from 29 to 25
    • Shugoki's heavy openers max charge: from 38 to 35
    • Shugoki's heavy finishers max charge: from 44 to 38
    • Highlander's offensive stance heavies: from 37 to 35
    • Shaman's unblockable side heavy finishers: from 41 to 36
  • Out of lock damage fixes for consistency with locked attacks:
    • Tiandi's OOL light finishers: from 13 to 10
    • Tiandi's OOL heavy finishers: from 35 to 32
    • Shaolin's OOL heavy finishers: from 29 to 32
    • Nuxia's OOL left light finisher: from 13 to 10
    • Peacekeeper's OOL heavy openers: from 29 to 18
    • Peacekeeper's OOL heavy finishers: from 34 to 24
    • Warden's OOL light chains: from 15 to 14
    • Conqueror's OOL heavy infinite chains: from 32 to 35
    • Shinobi's OOL heavy finishers: from 32 to 25
    • Aramusha's OOL heavy infinity chains: from 26 to 32
    • Berserker's OOL light infinite chains: from 9 to 13
    • Berserker's OOL light openers after feint: from 13 to 9

Source: Ubisoft

A Total War Saga: Troy is now free to download on the Epic Games Store

A Total War Saga: Troy is out today on the Epic Games Store and, just as was promised back in June, the game is absolutely free to download and keep for the first 24 hours.

You have until 2PM BST on Friday 14th August to add the game to your account, and we'll keep things nice and simple by giving you a link straight to its store page: Get A Total War Saga: Troy free on the Epic Games Store.

Right, we all done snagging the game for free? Good! Here's a launch trailer to watch while the game downloads.

A Total War Saga: Troy is a timed exclusive to the Epic Games Store for 12 months, after which it will spread to Steam and other PC gaming storefronts, but making it free to download and keep is a pretty big step. From Sega's statements, Epic have simply plunked down enough cash to make it happen, with CA and Sega deciding that if they were able to offer the game for free for a time, celebrating the series' 20th anniversary, it was worth forgoing the diehard Steam users for a time.

At the time of the announcement, Tim Heaton, Chief Studios Officer at Sega Europe said, "Thanks to Epic, we're able to offer a Total War title for free on its launch day. It's a hugely exciting thing for us to be able to do for our players. Not only does this mean that we can bring the tales and legends of TROY to a wide audience through Epic's massive platform, but it also means new players will get to try Total War for the first time, experiencing the unique gameplay that the series is famous for."

A Total War Saga: Troy is the franchise's third release in the Saga spin-off series, with A Total War Saga: Thrones of Britannia being joined last year by the rebranded Total War: Shogun 2 – Fall of the Samurai.

Troy similarly focuses on a smaller scale conflict and pulls it off. In our Total War Saga: Troy review, Jim said:

Splicing history with Hollywood, Troy is an exciting new take on the Total War formula. Sega's immense strategy series continues to snowball, absorbing and shedding new ideas, somehow keeping momentum despite that core gameplay remaining virtually untouched.

Either way, it'd be a bit silly to pass up being able to grab this for free, wouldn't it?

Source: press release

The Alto Collection Review

Alto is a snowboarding llama farmer. There's probably few more succinct and wonderful character descriptions than that, and here, in an endless-snowboarding-tricking-llama-catching game where your charges have headed off down the mountainous slopes, it's undoubtedly the one for our protagonist.

The Alto Collection pulls together the two previously mobile-exclusive Alto games – Alto's Adventure and Alto's Odyssey – and drops them onto console. In gaming it's hard not to think of Greek assassins and Italian plumbers when you hear the word 'odyssey' – sorry Homer – but it's a fair assessment to say that Alto's journey is a substantially different one.

Alto snowboards – or sandboards in his Odyssey – down, across and over a simplistic, but unequivocally beautiful series of mountain ranges, snow fields and sand dunes. As an endless runner, it's mostly about not stopping, and your only real goal is to stay on that board, avoiding rocks, crevasses and landing on your head in order to do so.

Given its touchscreen origins, Alto's Collection is a true single-button experience. One press sees Alto hop, or leap, over an oncoming obstacle, while holding it down sees him jump and begin a relatively slow rotation that can earn you extra Trick points, a speed boost and shield if you stick the landing. That's really all there is to it, but somehow it manages to spin out a relaxing and compulsive game experience that eternally demands one more go.

There's hints of experiential games like Journey here, and in fairness, the game's central sliding, evocative and impactful visuals, and gentle audio tones were almost certainly born out of a love and respect for thatgamecompany's timeless classic. This is an even more stripped back rendition of a similar idea, but it's no less likely to creep its way into your psyche.

Whether sliding in the snow or the sand, the end of each run gives you a breakdown of your achievements, starting with distance travelled and trick scores, up to chasms jumped and Goals completed. As you progress you gain access to a small selection of upgrades via the Workshop that will allow you to press on ever further across the endless landscape, from helmets that let you fall once during a run, to permanent upgrades for pick-ups like the magnet that pulls coins towards you.

Goals carry over from run to run, and it's here that each Alto game builds a more conventional sense of progression. Three different Goals need completing in order for you to level up, at which point you're then presented with another, slightly tougher trio to work on. They certainly help generate a different way of attacking each run, perhaps focussing on tricks one time, before shifting to overall distance in the next, but they're not designed to slow you down so much as slide alongside you.

In the long run, the game is challenging you, and nobody else. It feels as though it's begging for online leaderboards so you can be completely laidback about rubbing your success in other's faces. Instead you'll just have to settle for personal knowledge, and that feels so much more satisfying… right?

The major caveat here is that The Alto Collection is a sweet, but fundamentally repetitive experience. Despite the ever-changing, procedurally generated courses, once you've spent a few minutes with either Adventure or Odyssey, they'll have shown you their hand, and you're going to swiftly discover if it's not for you. Alternatively, that simplicity and repetition makes it a perfect piece of brain-massaging goodness, sucking away hours with about the same friction as a board on snow. At a fraction under $10 – it's actually free on the Epic Games Store in its first week – it's at least not a terribly expensive translation to console and PC.

Fall Guys downtime reward revealed – free Legendary Prickles costume and 5,000 Kudos

As Fall Guys went through extended downtime and server maintenance at the end of last week, Mediatonic said that they would be rewarding all the game's players for their patience waiting for the game to come back online.

Now they've revealed the compensation that they've come up with: a Legendary Prickles costume and 5,000 Kudos to spend in the in-game cosmetics store. Not so cuddly now, are we?

To be eligible, you just need to have launched the game before midnight tonight, with this being gifted to all players automatically.

That's not the only wonky moment that the game has had since release, with the first Fall Guys update having been planned for release yesterday and instead arriving today. The update patches a number of bugs and rebalances some game modes and the map rotation, as well as adding Jump Showdown as the first new map after release.

Thankfully, the game has overcome the serious server troubles that they encountered as the game launched. Last Wednesday, Mediatonic revealed that the first 24 hours had seen over 1.5 million players ran headlong into walls of doors, spinny hammer and swinging balls, and it's this sheer demand that overwhelmed the company's servers. That was obviously helped by the game being dropped in the laps of PlayStation Plus subscribers, but it was always going to be a streaming darling, and shot to the top of Twitch as well.

Fall Guys has been an absolute sensation for the team at developer Mediatonic and publisher Devolver Digital, with the companies revealing that they've sold over 2 million copies on Steam in the game's first week. That's before you take into account however many people have been playing via PlayStation 4, where it's free on PlayStation Plus in August. However, that has also led to some major server issues around launch, with an entire day being effectively wiped out on Friday, as they shored up the servers and added capacity ahead of the weekend. Thankfully things have been fairly steady since then.

We posted our Fall Guys review last week, saying:

Full of cute and cuddly jelly beans bumbling into each other in a race for the crown, Fall Guys is just about the most wholesome battle royale imaginable, and a whole lot of fun.

Fall Guys is out now for PlayStation 4 and PC via Steam.

Source: Twitter

Interview: Director Ludvig Gür on filming Pretending I'm a Superman: The Tony Hawk Video Game Story

The Tony Hawk skateboarding games have had a massive cultural impact in the games industry and the wider skateboarding community. However, before becoming the cultural icon it is now, the Tony Hawk skateboarding games had all sorts of ups and downs with success being far from guaranteed.

There is a fascinating story behind the game franchise, which is explored in the upcoming documentary Pretending I'm A Superman: The Tony Hawk Video Game Story. We were fortunate enough to speak to director Ludvig Gür about the experience of filming the documentary, specific moments in the documentary, and stories that came up while shooting it.

TSA: You start the documentary with a history of skateboarding and speaking to influential skaters from the 80s and 90s, who later made it into the games. Why did you believe it was important to give that background of the skateboarding scene?

Ludvig Gür: To understand the success of Tony Hawk's Pro Skater, I think it is important to examine the rise and fall of skateboarding in the 80s. Towards the end of the decade, the art-form reached an all-time high in popularity and mainstream corporations wanted to be a part of this trend. The Bones Brigade were featured in commercials, films and more. However, shortly after the peak, skateboarding lost its place in the mainstream.

The very small team at Neversoft managed to make a video game which sent the sport into millions of homes where it has stayed ever since. One of the main reasons is that the people behind Tony Hawk's Pro Skater had an understanding and respect for skateboarding that ultimately led to the game's fantastic representation of the sport. Skateboarders loved it, and non-skateboarders were immediately thrown into the culture.

TSA: Before settling on the name Pretending I'm A Superman were there other titles being considered? Why go with Pretending I'm A Superman?

Ludvig: We didn't have any other titles before Pretending I'm a Superman. The producer of the film, Ralph D'Amato (who also worked on Tony Hawk's Pro Skater 1 – Tony Hawk's Project 8) came up with the title before we started filming. I loved it because it not only references the fantastic song by Goldfinger, but also represents what many people felt like playing the game. Tony Hawk's Pro Skater allowed us to do tricks that back then seemed impossible. In a way, we all pretended we were supermen.

TSA: When you approached the skateboarders involved about doing the documentary how did they initially react?

Ludvig: They were all aboard from the get-go (sort of). Ralph D'Amato went on to work for Tony Hawk Inc after he left Neversoft and kept in touch with a lot of the skaters from those days. As a result, most of them agreed to be a part of the project immediately, knowing that Ralph's name meant this was a professional project.

TSA: Was there anyone you really wanted to speak to that was not involved with the documentary?

Ludvig: There were a couple people we couldn't interview for various reasons. I won't mention any names. No one specifically declined to be a part of the project but most of the time we were unable to match their schedules. Skaters lead busy lives.

TSA: Can you tell us of any stories that did not make the final edit?

Ludvig: There were a lot of fun stories from the developers at Neversoft and also from the skaters that did not make it. However, some of these will be released as extras on iTunes, so be on the lookout for that. My favorite story is Chad Muska's experience working on Tony Hawk's Underground. That might be my favorite game in the franchise, and his (acting) performance in the story made it so memorable.

TSA: Why did you want to make this documentary? Were you into skateboarding culture, fans of the games, or both?

Ludvig: I am a massive fan of the Tony Hawk's Pro Skater franchise and had a YouTube channel back in the day where I would cover the games in detail. I have also been a skater all my life, although I never became good at it. The influence that the Tony Hawk's Pro Skater had on skateboarding itself can not be understated and I have wanted to make a film about this topic for a long time.

TSA: As you made the documentary were there any particular moments that really stood out to you?

Ludvig: The whole experience was surreal in many ways. One of the most "stand-out" moments was the second interview I did with Rodney Mullen. He is one of the most intelligent people on this planet.

TSA: As documentary makers what kind of challenges did you face while filming?

Ludvig: Ralph D'Amato was a terrific producer and managed to make the production work despite the tight schedules and limited budget. However, there were some other challenges along the way, especially when we went out filming some of the skaters around LA. I did not realize how hard it was filming skaters in Downtown until we were out there with our RED Dragon Cameras. Cops are always on duty and ready to catch you. Luckily, we were never caught (though we were close a couple of times).

TSA: What were the best parts of filming?

Ludvig: Talking to some of the most legendary skaters of all-time about the video-game and the skateboarding itself. That was a wonderful experience in every way. If someone had told me this all would have happened five years ago, I would have never believed them. Tony Hawk has been my biggest hero since childhood, and to have been able to make a film with him is something I still fail to grasp.

TSA: From a viewer's perspective you can notice certain shots being used, like slow tracking shots for some of the skateboarding trick shots, and the interviewees all being off to the side instead of centred. Can you tell us your thought processes in what goes into picking the perfect shot for you?

Ludvig: My DOP (Director of Photography) Austin Droguett did a fantastic job. He had previously shot various documentaries and his experience shows. We put a lot of effort into each interviewee shot and in the end they turned out really great. The skaters were all at various locations so we had to keep some kind of consistency throughout, and Austin managed to pull that off.

TSA: There's lots of footage from old skateboarding videos. How did you choose what to include?

Ludvig: I would watch skateboarding videos all the time growing up, and still do. While editing this film, I got in touch with several videographers who had been active in the 90s. Erik Hatch, one of the main filmers for Shorty's (Chad Muska's company) provided a lot of footage for us, some that I had never seen before. Iain Borden (author of "Skateboarding and the City: A Complete History") was of huge help as well as he provided us with remastered versions of various skate videos. Jamie Mosberg (one of Tony Hawk's filmers) was also very helpful in the process. I basically chose my favorite footage and the most essential parts from those legendary videos (such as Tony Hawk's loop in "Birdhouse – The End" or Steve Caballero's debut in "Skateboard Madness") and whatever we could get the rights and access to we would use in the film (which ended up being most of it).

TSA: With the upcoming release of the remastered versions of Tony Hawk's Pro Skater 1 & 2 do you think there could be a resurgence of the skateboarding scene?

Ludvig: Absolutely! I think the game could appeal to a younger crowd with its roster of new skaters (such as Leticia Bufoni, Nyjah Huston, Lizzie Armanto etc) whilst also being a satisfying experience for hardcore fans.  Vicarious Visions, the developers behind the game, have many years of experience with the franchise (they developed various handheld ports of the earlier games). xwI have no doubt that the game will become a massive hit!

We would like to thank Ludvig for taking the time to answer our questions. Pretending I'm A Superman: The Tony Hawk Video Game Story will be available on August 18th from digital video stores. 

Grounded Preview – a miniaturised survival game that will leave you wanting more

There are plenty of fears that come from being small. I was afraid of the dark when I was little – not for any of the normal reasons, but because some helpful older child told me I'd turn into a werewolf if moonlight touched me – but as you get older you tend to replace such things with worries about the mortgage monster and the noise coming from No.11 down the street.

Grounded reminds you of those fears your smaller-self experienced. Quite literally. You think that your garden is a peaceful place, a square of solitude that is wholly yours and an extension of the safety of your home. Grounded will show you that it's not. This is a place that's wild, alien, and dangerous, and having been shrunk down to the size of a Rick Moranis feature film, things like mites, ants and spiders are suddenly the most hostile creatures you've ever met.

Having entered Game Preview on PC and Xbox One at the end of July, Grounded runs the familiar path of many recent survival games in Early Access. It drops you in with the fundamental components and tools of the game in a sandbox arena, while holding back the main body of the narrative as Obsidian continue to tinker away with it.

Difficulty in Grounded runs from Mild, where the yard is still a hostile environment but the game is otherwise pretty easy going, up to Whoa!, where the game is designed to beat you down even further than ground level you're at. There's also a Creative mode, where there's no stress, no creatures trying to kill you, and no need to manage your resources, and you can just explore the garden to your heart's content. Even on the standard difficulty, a careless jaunt too near to the wrong creature will have you scurrying back to your last save point.

You didn't just magically shrink down to the size of a thumbnail. Much like the movie classic Honey I Shrunk The Kids there are obviously science-based shenanigans at work, and this opening narrative section really only hints at the wider picture that's going on.

Despite being an insect-sized person, expecting to find nothing more interesting than forgotten Lego blocks and surprise 'treats' from your pet dog, you fairly swiftly come across a Field Station, a tiny little scientific base. There's no explanation of where it comes from or what it's doing, but it is kitted out with a Resource Analyzer that your small personage can put to use.

In classic survival game style, you can pick up a host of things along your garden travels, from pebbles and clover leaves through to sap and mushrooms. Using the Resource Analyzer you'll unlock new crafting recipes that use those items, starting out with the necessities like a torch and axe, before making a start on armour to protect yourself against the more vicious bugs, and the components needed to construct your own home base.

There are more tiny installations and mysterious machines hidden amongst the grass, and in one of these you come across BURG. L, a friendly grilling/flipping/monitoring robot. The lab that he's in has suffered from a power-based disaster – I'm only mildly sure this wasn't something to do with me – and while there are a few further glimpses of the underlying story, the Game Preview effectively just dumps you here, leaving you begging for more.

There's still plenty for you to do. BURG. L gives you three daily tasks to complete, forcing you out into the wide world, and pushing you to learn the game's systems and see more of the hideous/cute menagerie. Ants, mites and aphids are smaller than you, cute even, and while ladybugs bumble along with their merry colours belying an ability to crush you in moments, there's one creature that will have some players shivering with horror in real life, never mind on their TV screen: spiders.

The spiders in Grounded are terrifying. The sight of a series of webs strung between blades of grass will have you taking a hugely circuitous route to steer clear of them, while holes at the centre of their nests are worth staying away from for… well, forever. I don't doubt that BURG.L will eventually send you down one – there's something nefarious about that burger-flipping bot – but for now they are an immediate, skin-crawling, terror that remain a constant presence at the back of your mind. The game does allow you to alter their appearance incrementally until they're just plain deadly blobs, though I'm not sure how much that will help some people.

Grounded's Arachnophobia Mode turns spiders into weird blobs

There's some lovely little details though, amongst the arachnophobia. From your way-point marker working in centimetres instead of metres, to the way that your expanding list of craftable items pushes you further and further from safety, Grounded has all the bases covered for a unique and enjoyable survival experience. It also looks quite lovely, with bold, stylised visuals and some great depth of field to draw you into the idea that you're an inch tall.

The music successfully fulfils all of those 80s movie vibes too, with some fantastic synth-led tunes giving things more of a horror vibe, a la Stranger Things, while the chirps and rustles of creatures as they go about their busy lives lends the garden a life of its own that's a delight to take in.

Despite Grounded being in Game Preview, it feels agreeably solid and fully formed, at least in terms of the mechanics at play. The narrative setup is intriguing, and told with a wry sense of humour that should win over even the most hardened of hearts. Thanks to its launch on Game Pass as well, this is one mini adventure with a huge amount of potential.

Fall Guys update 1.05 adds a new game mode – grab the patch notes here [Update: Now live!]

Update 3:50PM 13/08: The version 1.05 patch is now live, weighing in at 259.6MB. Scroll down for the full additions and patch notes.

Update 6:20PM: The Mediatonic gang have delayed the Fall Guys patch by one day, implementing a "last minute fix" and hoping to now push it live to players tomorrow, Thursday 13th August, after an extra round of testing.

The original post follows.

The breakout hit of Fall Guys is getting its first post-release update today, with Mediatonic patching a few bugs, making a few balance changes, and adding the first new game mode to their game: Jump Showdown.

Jump Showdown is similar in set up to Jump Club, in which two beams spin at different speeds and you must run and time your jumps in order to keep yourself from falling and being knocked off. Jump Showdown, however, adds even more peril into the mode, as sections of the platform start to disappear, making it a tense mode suitable for being an episode finale.

Further maps and modes are promised to be "coming soon", alongside new features and costumes to earn.

Here's the full patch notes:

Fall Guys Version 1.05 patch notes

  • Lowered the weighting for Royal Fumble to add more final round variation
  • Fixed crash at launch with certain regional calendars set in the operating system
  • Improved messaging for matchmaking and server errors
  • Fixed physics behaving erratically at high framerate on levels like Tip Toe
  • Fixed crown in Fall Mountain not being grabbable in rare situations
  • Addressed some collisions in Block Party allowing players to bypass the blocks
  • Fixed Parties sometimes failing due to too many requests
  • Addressed some special characters causing display issues in player names
  • Fixed Big Tease Achievement not unlocking in specific regions
  • PC only – Fixed certain game controller models not being detected on PC

Thankfully, the game has overcome the serious server troubles that they encountered as the game launched. Last Wednesday, Mediatonic revealed that the first 24 hours had seen over 1.5 million players ran headlong into walls of doors, spinny hammer and swinging balls, and it's this sheer demand that overwhelmed the company's servers. That was obviously helped by the game being dropped in the laps of PlayStation Plus subscribers, but it was always going to be a streaming darling, and shot to the top of Twitch as well.

Fall Guys has been an absolute sensation for the team at developer Mediatonic and publisher Devolver Digital, with the companies revealing that they've sold over 2 million copies on Steam in the game's first week. That's before you take into account however many people have been playing via PlayStation 4, where it's free on PlayStation Plus in August. However, that has also led to some major server issues around launch, with an entire day being effectively wiped out on Friday, as they shored up the servers and added capacity ahead of the weekend. Thankfully things have been fairly steady since then.

We posted our Fall Guys review last week, saying:

Full of cute and cuddly jelly beans bumbling into each other in a race for the crown, Fall Guys is just about the most wholesome battle royale imaginable, and a whole lot of fun.

Fall Guys is out now for PlayStation 4 and PC via Steam.

Source: Twitter

Fall Guys guides & more from TheSixthAxis

Marvel's Avengers PC specs confirmed, optional 30GB texture pack will be available

Crystal Dynamics have announced the PC specs for Marvel's Avengers, and you will need a minimum of 75GB of disk space, 8GB RAM, and an NVIDIA GTX 950/AMD 270 graphics card in your rig. In addition, Crystal Dynamics has confirmed there will be an optional 30GB texture pack so the best visuals can be reached, and there will also be an unlocked framerate. Support for ultrawide and multi monitor setups will also be there day one for Marvel's Avengers. All control options will be fully customisable and you should be able to switch between keyboard and mouse and controller, depending on preference. The spec lists for minimum and recommended setups below:

Minimum Spec:

  • OS: Windows 10 64-bit
  • CPU: i3-4160 or AMD equivalent
  • 8GB RAM
  • NVIDIA GTX 950 / AMD 270 (min 2GB video ram)
  • DirectX 12
  • 75GB HDD space

Recommended Spec:

  • Windows 10 64-bit
  • CPU: Intel Core i7 4770K, 3.4 Ghz or AMD Ryzen 51600, 3.2 Ghz
  • 16GB RAM
  • NVIDIA GTX 1060 6GB or AMD Radeon RX 480, 8GB.
  • DirectX 12
  • 110GB SSD space

In our beta preview, we wrote:

The Marvel's Avengers beta gives more than a quick glimpse of what to expect from Crystal Dynamics newest game. This is a large helping of content from the game and after spending a few hours picking away at it, we've come away finally understanding exactly what this game is and what the Tomb Raider studio is trying to achieve. So far it's coming together nicely, and while not exactly revolutionary we're impressed with how it enables a group of radically different Avengers to fight side-by-side. Let's just hope the story can inherit some of that MCU magic and that we see more mission variety when the game finally touches down on September 4th.

It has not been all smooth sailing for Marvel's Avengers recently. It has been confirmed that Spider-Man will be a PlayStation exclusive character. You can find out more in our interview with Crystal Dynamics here as to why that has happened.

Source: Square Enix

Tony Hawk's Pro Skater 1 and 2 pre-order demo details confirmed

Activision has confirmed the details for Tony Hawk's Pro Skater 1 and 2's pre-order demo, which was confirmed when the game was revealed. We already know that the demo will transport players back to the very beginning of the series with the Warehouse setting being the demo. The demo will also be taking inspiration from the original release's demo with players having a time limited two minute session in the Warehouse to put together as high a score as possible. There are no limits to have many sessions you can play.

There are changes though and the big one is some new tricks that were not in the original release. Activision confirmed the notable tricks that will be in the demo, and you can see the list along with the descriptions below.

  • Manual – While a skater has their board on solid ground, rapidly flicking the commands for up, then down (forward and back) will make them lean on the board's back truck so that only two wheels are touching the ground. This stance must be balanced by using the same commands, or else the board's front wheels will hit the ground and end the Manual, or the skater will fall back and bail.
  • Nose Manual – Similar to a Manual, except it is done by rapidly flicking the commands for down, then up, for the two front wheels of the board to be only touching the ground.
  • Flatland Tricks – While performing a Manual or Nose Manual, pressing buttons mapped to grind, flip, and grab commands will let the skater perform tricks such as a Casper, Pogo.
  • Revert – "The Revert became one of the great staples of the franchise, we knew from day 1 that we wanted to include them." says Leo Zuniga Lead Designer at Vicarious Visions, and you can be sure that the Revert is included in Tony Hawk's Pro Skater 1 + 2 and this demo. As a skater is landing a trick on a vert surface, e.g. a half-pipe or bowl, pressing either (or both) buttons mapped to switching stances will allow the player to pivot the board 180 degrees, adding to their current combo and potentially extending it with a Manual or Nose Manual.
  • Spine Transfer – If there is another vert surface opposite a skater's current vert surface, e.g. two bowls or half-pipes next to each other, pressing the same Revert command while in mid-air will allow them to seamlessly "transfer" from surface to surface, which directly adds to their current combo and potentially could be key to finding extra points via Gaps.
  • Acid Drop – If a skater Ollies, No Complies, Boneless, Nollies, or Fakie Ollies over a vert surface and presses the command used to Revert, they will land in the transition, allowing them to gain serious momentum and could let them start or continue a combo with a Revert into a Manual or Nose Manual.
  • Wall Ride – Veteran skaters already know this but it's worth repeating: If a skater jumps alongside a vertical surface – e.g. a wall – and presses the button normally used to Grind, they will have their board skid along the wall while they ride it, allowing them to gain points and start or continue a combo.
  • Wall Plant – If a skater jumps directly into a vertical surface and presses the command used to perform a Boneless move, they will come off their skateboard and use their feet to leap off the surface with serious momentum in the other direction as they return onto the board, rather than slam themselves into the surface face first.
  • Trick Transitions – A skater can transition between tricks by double tapping either the grind, grab or flip buttons while doing pretty much any trick, especially grinds

Special Tricks can also be changed so you are not limited to Tony's special ones. Included in the demo are the Rowley Darkslide and the Hardflip Backside Nose Pick. The demo will be available on PS4, Xbox One, and PC via the Epic Games Store. The demo will be available to preload from today if you have already pre-ordered, but not playable until August 14th.

Source: PS Blog

Minecraft Dungeons' Creeping Winter DLC is coming this September

Mojang has announced that Minecraft Dungeons' Creeping Winter DLC will be releasing on September 8th, and that there will also be a free update on the same day. In the Creeping Winter DLC a storm is coming that will bring a dangerous frost unless players complete some new missions and fights some new enemies in environments that will be slippery with mobs all over the place. In return, players will get new weapons, armour, and artifacts.

The free update will add new merchants and Daily Trials. The merchants are the Blacksmith and the Gift Wrapper with the Blacksmith being there to upgrade items, while the Gift Wrapper means players can trade items with each other in multiplayer. Each of the Merchants can be upgraded which will give players access to other items. Daily Trials will change core game mechanics which will mean difficult and experimental challenges together.

Mojang has also confirmed that Minecraft Dungeons will be getting a physical release for PS4, Xbox One, and Switch, with the release date set for September 8th, except in Japan where there will be a delay. The full name is Minecraft Dungeons: Hero Edition and it will include the base game as well the Jungle Awakens DLC and the Creeping Winter DLC.

In our review for Minecraft Dungeons, Dom wrote:

Minecraft Dungeons could easily have been "My First Dungeon Crawler", but it's so much more than that. It does a great job of taking the genre's hooks – the waves of enemies, the pervasive drive for better loot – and makes them palatable and approachable for a wide-ranging audience. It's perfect family gaming, but if you crank the difficulty up prepare for an epic beatdown, and the epic rewards to go with them.
You can read the full Minecraft Dungeons review by  clicking here.
Source: Mojang

Control will get free PS5 and Xbox Series X upgrades… but only if you buy the new Ultimate Edition

505 Games and Remedy Entertainment have revealed Control Ultimate Edition, a bundle that will include Control and its two expansions, The Foundation and AWE. The Ultimate Edition will also give purchasers free upgrades for PlayStation 5 and Xbox Series X within their console families, an offer that is not being extended to those who have bought the game since its original release.

The Ultimate Edition release is being staggered across various mediums and platforms, with 505 citing the pandemic for distribution difficulties. However, it will be priced at a rather reasonable £29.99 for newcomers.

The release dates are as follows:

  • August 27th Steam
  • September 10th Epic Game Store, PlayStation 4 and Xbox One (digital)
  • End of 2020 PlayStation 4 and Xbox One (physical edition)
  • End of 2020 PlayStation 5 and Xbox Series X (digital)
  • Early 2021 PlayStation 5 and Xbox Series X (physical)

In an associated FAQ, they outline that the Ultimate Edition does offer free upgrades, but other versions of the game do not.

Will Control Ultimate Edition give me access to Control on Xbox Series X and PlayStation 5?
We will offer a free next-gen digital upgrade for those who buy Control Ultimate Edition on PlayStation 4 and Xbox One. For more information on eligibility, stay tuned to our website and community channels.

What if I purchased the original version of Control previously?
The free upgrade path to Xbox Series X and PlayStation 5 version of Control is only available for Control Ultimate Edition.

Control is currently available for at an RRP of £49.99 (though it has been sold as low as £15.99 on the PS Store just last week), and the Season Pass for £19.99. A Deluxe Edition, which bundles the game together with the Season Pass and Urban Response Gear DLC, is currently on sale for £32.49 with an RRP of £64.99. Despite having ever-so-slightly more content than the Ultimate Edition, it does not offer a next-gen upgrade.

We've asked 505 Games if there will be another option for existing owners to get a next-gen upgrade, but given Microsoft's assertion to developers that upgrades should be free and not paid DLC, we won't be holding our breath.

Expect a fair few people to be a bit miffed about this on the internet.

Either way, the game is fantastic. In our Control review, Aran wrote:

Control is one of the best story-focused single player games in years. Its unique mix of surrealism, sci-fi and mystery draws you in, but doesn't give everything away, and the combat is fantastically varied and provides just enough challenge. A culmination of everything that went before, Control is Remedy's magnum opus.

Source: Control

Forza Horizon 3 is being delisted in September – can we expect it in Games with Gold?

Forza Horizon 3 is set to be delisted from digital stores on 27th September, following the well established pattern of the previous games in the Forza series of only being available for 4 years from their original release for Xbox One and PC.

If you own the game or any of its DLC digitally, you will of course still be able to download them, and the game's servers will remain online, but you will simply no longer be able to buy the game anymore. The reason for the delisting isn't known, but will most likely be down to music and car licenses expiring.

Also a part of that pattern, we can likely expect to see Forza Horizon 3 dropped into Games with Gold for its final month, just as Forza Horizon 2 did in 2018, and Forza Motorsport 6 did in 2019 before they were delisted. The two things that would seem to go against this, is that those racers were made free in August of their final year, and Forza Horizon 3's delisting on 27th September would mean it's not available for the entire month. I guess we'll have to wait and see, but it would be pretty crummy to do since the game is going on sale from now until it's delisting

It's a cracking game, and showed just how much of a class act Playground Games are when it comes to creating sprawling open world racers. It was also enhanced for Xbox One X, and looks fantastic in 4K, so if it is put on GwG or you have the chance to pick it up for cheap, you should make sure to download it.

In our Forza Horizon 3 review, Dom wrote:

The third game in the Forza Horizon series has far exceeded its status as a loud and brash spin-off, becoming a racing title that embodies the best of this generation. Beautiful visuals, pitch perfect gameplay and eternally rewarding, there are few racing games that have ever come close to what Playground Games have achieved with Forza Horizon 3.

After years of back-to-back Forza Motorsport and Forza Horizon game releases through the 2010's, 2020 is another year without a Forza game, as Turn10 Studios instead turn their focus to a reboot of the series for Xbox Series X. Revealed last month with spectacular looking ray tracing, the game will be exclusively for next-gen and not coming to Xbox One, with Phil Spencer describing the game as being early in development. It could be a while away from release, it seems.

via VG247

Xbox Series X will be on the shelves before November 13th!

Microsoft's Aaron Greenberg, GM Xbox Games Marketing, recently announced that the Xbox Series X will be released in November, narrowing the release window from "Holiday 2020" to a specific month.

We can now reveal that the console will be out by November 13th, thanks to a press release for Yakuza: Like A Dragon which has in very big letters…

Yakuza: Like a Dragon Launches Day 1 on Xbox Series X!

Just announced on Inside Xbox, Yakuza: Like a Dragon, an explosive new entry point in the acclaimed Yakuza series, will be releasing as a launch title on the next-gen Xbox Series X*. Yakuza: Like a Dragon will also be available as simultaneous release on the Xbox family of devices, including Xbox One X*, Windows 10 PC*, PlayStation 4, and Steam*.

Now, all we need to do is check the Xbox store which conveniently tells us the Xbox One game is out on November 13th, and as this is a simultaneous launch across all platforms that is also the day one release for Xbox Series X version, ergo the console must be landing on shelves sometime between 1st and 13th of November.

We also checked the  PlayStation Store and that has the same date, November 13th.

The main cast of the game's English dub has been revealed, including the legendary George Takei:

  • Kaiji Tang as Ichiban Kasuga, protagonist of the story returning from 18 years spent in prison
  • George Takei as Masumi Arakawa, patriarch of the Arakawa Family
  • Andrew Morgado as Koichi Adachi, an ex-cop on the search for truth
  • Greg Chun as Yu Nanba, downtrodden former nurse making amends with the world
  • Elizabeth Maxwell as Saeko Mukoda, a bar hostess on a mission

Set in 2019 following the events of Yakuza 6, Yakuza: Like a Dragon follows the story of Kasuga Ichiban, a member of the formidable Tojo Clan who, much like Kiryu Kazuma, takes the fall for a crime he did not commit in order to protect the honor of his clan. When Ichiban emerges from prison almost two decades later in 2019, though, he's found that the world has changed immensely and moved on without him. Stuck as an outsider in an unfamiliar town, he gathers a crew of unlikely allies in order to find out the truth behind what happened while he was behind bars.

The game is a pretty major departure beyond just having a new lead, with new turn-based RPG encounters. Part of the reason for this switch to an RPG battle system is that Ichiban is obsessed with Dragon Quest, and the regular thugs you run into on the street will often transform into otherwordly warriors (in Ichiban's head, at least) once battle begins.

Source: Press release

A Total War Saga: Troy Review

Ancient Greece, it seems, is once again in vogue. With the roaring success of Assassin's Creed: Odyssey, Ubisoft aren't the only game makers to explore this rich setting with the launch of A Total War Saga: Troy.

Compared to last year's Total War: Three Kingdoms, Troy is bound to resonate more with western audiences. If the name wasn't a dead giveaway, this latest instalment in the twenty-year-old series is centred around the Trojan War – easily one of the most iconic events in Greek mythology, made famous by Homer's Iliad. It all kicks off when Paris, prince of Troy, steals the wife of Menelaus, having only just brokered peace with the Spartan king. Fleeing behind the walls of his impregnable home city, the foolish prince awaits the enraged Menelaus and his warmongering brother, Agamenon…

With A Total War Saga: Troy, Creative Assembly have manoeuvred into a pincer formation, looking to flank both their core audience and prospective newcomers. On one hand, the generally more cinematic tone of Troy as well as improved tutorials and onboarding, help pave the way for first-time generals. Meanwhile, that dense strategic core remains steadfast with the option for seasoned Total War commanders to get stuck straight in while only having new and revised features explained to them.

As always, Total War relies on a tried and tested mix of turn-based strategy and real-time battles. However, in order to keep the formula feeling fresh with each new game, Creative Assembly continue to work in some clever changes. The result is a familiarly rich and satisfying strategy experience though one with few alterations to its core ruleset.

We won't go too in-depth though here are some highlights. First up, there's the new Total War economy which is now split between five main resources including food, lumber, stone, bronze, and gold, which can be traded seamlessly between factions. Each has its own specific use in recruiting units and building structures, giving them strategic importance.

With this being Ancient Greece, you'll also want to curry favour with the gods. Zeus, Poseidon, Ares, and other deities rule over the Total War pantheon and through paying tributes, you can earn yourself temporary and long-lasting boons to help benefit your faction.

Of course, this latest game brings a completely different change in setting and with that comes new units, agents, and leaders, all plucked from the Bronze Age. At launch, there will be eight generals to pick from, split between the Achaeans and the Trojans with mythic heroes including the mighty Hector and the unrivalled Achilles.

Like Three Kingdoms, and both Warhammer games, before it, Troy empowers these heroes to become more than fancily dressed characters embedded among your rank and file troops. They are essentially their own units, complete with unique table-turning ability, equipped with weapons and treasures throughout your campaign. While far from invincible, they stand out on the field of battle, each of the faction leaders also having their own unique campaign mechanics, too. For instance, Agamenon can receive (and demand) resources from his vassals, whereas Menelaus can claim razed settlements remotely, without needing to dispatch his soldiers.

As for units, expect your usual mix of melee, ranged, and cavalry, spliced with thematic elite units. A Total War Saga: Troy also features special units and agents such as gorgons, centaurs, and cyclopes. They're not actually mythical beasts (they're just dressed up to look like them) though the abilities and combat prowess they can add to your faction make them highly valuable.

Total War still relies on a heavy mix of grand battles sandwiched between long stretches of diplomacy and managing your territory. For those who simply want to lead armies on the battlefield, there's a separate mode for that though campaigns demand that you focus on more than just skirmishes and sieges. Play long enough, and you'll witness feats of glory on the battlefield with surprise ambushes, heroic rallies, and mythic moments of triumph. However, victory often hinges on how much homework you've done before charging against an enemy.

In terms of visuals, Creative Assembly straddle between a "realistic" depiction of what the Trojan War could have looked like and a more theatrical, stylised look. They continue to raise the bar in just how polished these games look with a gorgeous campaign map and sweeping battles which play host to hundreds of individual soldiers clashing swords as arrows fly overhead. It's a shame that we don't see more cinematic cutscenes or authored set-piece moments, yet these wouldn't fit the sandbox nature of the Total War series.

No Man's Sky Desolation patch 2.62 is out, read the notes here

Hello Games have launched a new patch for No Man's Sky, it's a smaller patch that focuses on fixing bugs rather than adding new content. Here are the notes!

Patch Notes

  • A range of new base building parts have been added. These are based upon the decoration inside derelict freighters. The blueprints can be acquired by searching salvage crates found inside derelict freighters.
  • Fixed an issue that could cause a unpassable corridor to be generated in certain derelict freighters.
  • Fixed a number of issues that could cause planetary creatures to fail to spawn.
  • Fixed an issue that could cause particle effects to stop playing.
  • Expanded the Nexus exploration mission to also include flora and minerals.
  • Fixed an issue that could prevent other people's discoveries from advancing multiplayer exploration missions.
  • Fixed an issue that prevented the Chef title from unlocking after impressing Cronus.
  • Reduced the priority of the Emergency Broadcast Detector and Salvage Opportunity hints so that they do not block other mission messages.
  • Fixed a number of issues that could cause the Anomaly Detector and Emergency Broadcast Detector to perpetually fail to locate an object, blocking progress.
  • Added procedural atmospheric fog effects to the interior of derelict freighters.
  • Fixed an issue that caused a soft light to follow the player into caves and other dark spaces.
  • Fixed a number of small visual artifacts in the lighting system.
  • Fixed a number of visual issues with the intensity of starship trails and engine glow.
  • Fixed an issue that caused a number of lighting issues for metallic surfaces.
  • Fixed a number of issues that could occur when declining or accepting a group invite.
  • Fixed an issue that caused the hit indicator to flash incorrectly for some ship and Multi-Tool modes.
  • Fixed an issue that could cause inappropriate items to appear in the artifact crates at the heart of buried ruins.
  • Introduced a number of small optimisations.
  • Fixed a crash that could occur when calculating creature navigation paths.
  • Fixed an issue with abandoned Space Stations that prevented players from landing, and could cause a crash when deploying system authority starships.
  • Fixed an issue that could cause the game to crash while saving.
  • Fixed a number of issues that could cause the game to crash during loading.
  • Fixed an issue that could cause the game to become unresponsive during loading.
  • Fixed an issue that could cause very large save games to crash during load.
  • Fixed a crash that could occur during procedural generation of a derelict freighter.

Source: NoMansSky

Sam Fisher is joining Rainbow Six Siege

Ubisoft have announced another cross over with Splinter Cell's Sam Fisher joining the cast of Rainbow Six Siege. He joins the game as part of the Operation Shadow Legacy update and will be a new Operator with the codename Specialist Zero.

Sam has guested in a number of games over the years but there has not been a Splinter Cell game since 2013. The character remains popular and it was recently revealed that an animated series may be on the way.

According to Variety, a deal has been struck between Ubisoft and Netflix to create an anime based on the iconic franchise. There seem to be some details already with Variety reporting that two seasons comprised of 16 episodes in total have been greenlit. Derek Kolstad, who is one of the key writers behind the John Wick films. has been linked as an executive producer and writer for the series.

Rumours of new Splinter Cell game have been rumbling around the industry for quite some time since the game was first listed in the great Walmart leak of E3 2018, in which a huge number of unannounced games such as Just Cause 4 and Rage 2 were detailed before their E3 debut.

In April 2019 Ubisoft's CEO Yves Guillemot said "Last time we did a Splinter Cell, we had lots of pressure from all the fans saying, 'Don't change it; don't do this; don't do that.' So some of the teams were more anxious to work on the brand," said Yves. He also said that employees in Ubisoft were more keen to work on the bigger franchises such as Assassin's Creed.

"Now there are some things and some people that are now looking at the brand; taking care of the brand. At one point you will see something but I can't say more than that," he teased.

In May the same year Ubisoft Creative Director Julian Gerighty tweeted  "Working on the next #SplinterCell with @danhaynow and @romcamor in #Lyon. Can't wait for #E3." but then retracted the statements saying they were a joke. Of course they were.

Italian actor Luca Ward may also have to use the "I was joking guv, honest" excuse as he has now confirmed a new Splinter Cell game for 2021.

"There is this return of Splinter Cell that is supposed to be a conclusive episode, but I'm not sure about this part," he said. "They have not yet figured out whether to do it in 2021. It was going to release in 2020, and then COVID-19 happened, and several big projects in 2020 got delayed. Others went on, like Cyberpunk 2077 on which I have almost finished working."

"But I am sure that Splinter Cell will return, this is a fact," he added.

We do know of a Splinter Cell game in development, but it's a VR title and it will be exclusive to Oculus Rift rather than an entry to the main franchise. If another game is launching next year it will surely be on next gen consoles.

Check out our Rainbow Six Siege hub!

Source: Youtube

Okunoka Madness is a horrible, despicable speedrunning nightmare – and you're going to love it

There's a certain group of wayward adventurers who think that difficulty has fallen by the wayside in games. They yearn for the old days, when you were lucky if the tape cassette in your Commodore 64 loaded, often found that the controls didn't work, and where it was possible the game simply hadn't been finished. Things have changed – improved most would say by accessibility and inclusivity – but a hard game can still be a precious delight, endangering our screens, our relationships and our controllers. Okunoka Madness is such a game.

You play as Ka, a blue demon-ish character who's been raised from his slumber by things going 'a bit wrong', and who then sets out to put things right, seemingly by rushing headlong through a bunch of despicably tough levels and eating up a bunch of sprites and spirits along the way.

Okunoka Madness is a speedrunner's platforming dream. Every single level pits you, not just against the spiky, lethal obstacles in your way, but against the clock, giving you a grade and letting you see where you stack up on the leaderboards; both local and global. While you will progress through the different worlds you'll find yourself becoming obsessed with single levels that get in your way. You become steadily more gung-ho, living life ever closer to the edge of each platform, attempting to shave one hundredth off your best time. In order to achieve that you're going to die over, and over again. Oh, and then a few times more.

You run, you jump, you wall climb. These simple tenets of gameplay are almost underwhelming in the context of modern gaming, and yet, they remain as vital and compulsive as they were when a young Shigeru Miyamoto decided plumbing was a suitable pastime for a hero. Ka has less weight than a Brooklyn Italianite, presumably due to less pizza and more ethereal indulgences like Special-K, but either way it sees him leaping and turning with incomparable precision.

Adding an extra wrinkle into platforming's time-worn face, Okunoka Madness brings in elemental Sprites, which allow Ka to interact with certain parts of levels in a different way. Frost, the first Sprite you encounter, allows you to switch icy barriers and platforms on and off, often needing you to tap away at the shoulder button at the same time as leaping towards or away from something else, while the second world brings in Fire, doubling the ways in which you will probably die. We won't even think about the fact there are probably even more ways than that.

It's a war of attrition between you and your fingers. You begin many of the levels with a clear sense of disbelief about what you need to do in order to reach the end of the course, and yet you'll grind away at your synapses until Ka is flowing from one platform to the next, narrowly missing the spinning blades of a death dealing robot to land neatly on the smallest of platforms before entering another pitched battle with yourself through the next section.

Okunoka Madness' level designers are the kind of sadists that other sadists talk about in hushed tones. There's some kind of devilish glee to be found in the steadily more vicious stages, and you might begin to hear their maniacal laughter after you start over for the umpteenth time. No, wait, it was my maniacal laughter. I do think the 'Madness' in the title might be a health warning. You should bear that in mind.


Our hands-on was limited to the first two worlds, with each one boasting twenty stages. The final level for these worlds plays host to a dastardly boss clearly meant to inflict further psychological damage on you. In a lot of ways, they're not really a huge leap from the standard levels, being a heady mix of muscle memory, learned patterns and snappy reflexes, but they definitely serve to bookend each world in soul-crushing style.

Okunoka Madness is exhilarating, brutal, time-sinking fun though. It's gaming in the classical sense, with a bright and bold skin that lives just the right side of Rayman's best work. It's the kind of game to wrap yourself up in as you perfect each stage, though there's a real risk of needing to but the new 4K TV you've been lusting after thanks to some kind of 'accident'.

I can't wait to fling myself on all its mercies when it reaches full release.

Maneater celebrates Shark Week with free DLC

Tripwire Interactive have cast a free nugget of DLC into the ocean for Maneater players to devour.

Over the years, our fascination with these waterborne predators has led to a annual celebration known as Shark Week and now Maneater wants a bite of that exposure.

What better way to wave in this week-long run of Discovery Channel programming than by giving away some free content for the so-called ShARkPG?

Maneater guide – 7 tips & tricks to get you started

Players who own a copy of Maneater will be able to download and install the new Tiger Shark Adaptation which provides a handy boost to resource gathering while giving your shark a cool new look. Note that console players will need to visit the PlayStation, Xbox, and Nintendo digital stores to download this shark upgrade:

Maneater is celebrating Shark Week with a free gift for all players. Both current and new Maneater players on all gaming platforms can grab the Tiger Shark Adaptation for free. Named after the legendary Tiger Shark, often referred to as "the garbage can of the sea," this evolution provides extra nutrients when consuming prey in addition to providing a sharply striped cosmetic upgrade. The Tiger Shark Adaptation is now free for all players. To equip the Tiger Shark Adaptation, download the latest Maneater update, players can visit their nearest Grotto, and select the Tiger Shark Adaptation under Body Evolutions.

We reviewed Maneater when it first launched on PC and consoles back in May. The bizarre action RPG didn't make a huge splash though proved quirky and inventive enough to snag a respectable 6/10. Here's what we wrote:

"Maneater is a crazy concept come to life, Tripwire somehow managing to cobble together a silly ShaRkPG that is more than just a ten-minute novelty. There's no denying it's an exotic catch, but when it comes to quality open world action games, there's plenty more fish in the sea."

Source: Press Release

Halo Infinite's delay is rough for Xbox Series X in 2020, but how bad is it really?

There's no two ways about it: Halo Infinite's delay is a gut punch for the launch of Microsoft's next generation plans. I'm not just talking about the Xbox Series X release in November, but their whole vision for an era of subscription led cross-platform gaming. It's not putting the nail in the coffin for this plan, but at the very least it's a stumble that puts them at an even bigger disadvantage compared to their biggest rivals.

Ultimately, Halo Infinite's delay might well be the best decision for the game. The old Shigeru Miyamoto adage  that "A delayed game is eventually good, a bad game is bad forever," might not ring quite so true in the age of live games, DLC and 'Games as a Service', but it doesn't hurt to get things right at the first attempt. Not every game can pull off the recoveries that No Man's Sky, Sea of Thieves or Destiny (twice!) have managed and it's obviously better not having to go through those growing pains.

Still, it leaves Microsoft without a marquee title for the launch of Xbox Game Pass Ultimate Streaming, and the release of Xbox Series S and Xbox Series X. We've been eagerly awaiting the official reveal of Microsoft's lower powered console, not to mention the announcement of the price of either Xbox or PlayStation 5, but now it's like one of the teams turning up to the World Cup final is doing so without their star striker. For this winter, at least.

While that's a big blow for 2020, Microsoft are playing the long game. After promising that all their first party games for the first year or tow of the next-generation would be cross-generational, they rocked up to their Xbox Games Showcase with a bunch of rendered concept trailers for games that would be exclusive to Xbox Series X. From Forza Motorsport, to Fable, to Avowed, these are games that are at least a year away and Microsoft was seemingly going to have to rely on third parties for quite some time anyway.

That said, Xbox fans aren't entirely bereft of other games to look forward to this year, of course, and Xbox Series X will provide advantages across a wide range of games. In first party titles, there's the prospect of Gears Tactics and maybe Microsoft Flight Simulator – OK, so ports of months old PC games might not be particularly exciting, but I'm looking forward to them on console nonetheless. As we come to the end of the year, let's be honest that this November is going to be all about Cyberpunk 2077, Assassin's Creed Valhalla and the next Call of Duty for an awful lot of people.

In fairness, Microsoft aren't really alone here. Outside of Marvel's Spider-Man: Miles Morales being a launch title and the bundled Astros' Playroom, do we really have any idea of when all of those first party games from the PlayStation 5 showcase will be released alongside the console? Sony have a big, hugely popular tent pole release to market, but there's lingering doubts over just how big an experience it's going to be, as it builds on the foundations of the 2018 PS4 exclusive. The difference is that the overall perception is of Sony having fistfuls of games that are ready to go through the PS5's first year.

For Xbox, the concern is that without that one big system seller, those thinking of next-gen will either delay their purchase plans to 2021 or now lean toward picking up a PS5. Delayed purchases and upgrades have obviously been a part of their plan, with the cross-generational releases intended to soften the potential blow of a high ticket price for the upcoming machines in the West, and Xbox Game Pass Ultimate streaming aiming to let them reach new audiences whenever people want to engage, but they've got to try and shift the cloud of negativity currently hovering over them if they hope to stay in touch with Sony through the generation.

Through all of this, and as with any major game delay, we shouldn't forget the developers themselves. Passion is one of the key attributes that defines many developers, as their love for their creation shines through, but that can be manipulated, it can be crunched. 343 Industries will have been in a maladjusted form of crunch for some time already, the lines between work and home blurred even further thanks to COVID. The response to the gameplay reveal will have hurt, even if it was maybe expected in some quarters, and now those wearying heads have to face an even longer stretch to reach the finish line, whenever that might be.

At the end of the day, while it will hurt in 2020, Halo Infinite's delay isn't quite terminal for Xbox Series X and Microsoft's future plans, but it's felt like the company has been on the back foot all through the summer. It will take something big (or small, to be more precise) to shift things back in their favour.